This month – May – Susanne Rosenberg is the researcher of the month. Listen to when she describe the project (in Swedish).
It was delightful to improvise in duos on the lyrics to the folk chorale ‘Den Signade Dag’. Using the method ‘Meandering’. A lot of ornamentation and melismas later we had this version – it’s combined by two different duo-sessions. The singers are:Maria Misgeld, Susanne Rosenberg, Eva Rune & Sofia Sandén. The video is created byContinue reading “Den Signade Dag – Christmas meandering”
After last week experiment with the method Imprint, we continued with our experiment in the inner circle of Folk Song Lab.By recording our own versions, from the cognitive frame of the song that Eva taught us, we recorded separate versions in solitude on our respective computer, like doing a Meandering session, but by ourselves. ThenContinue reading “Imprint – Meandering”
This week we been testing Folk Song Lab new method Imprint also in the inner circle of Folk Song Lab. This method actually fits quite well in the Corona days since it can be done through virtual meetings with the help of the excellent “Aloha” (www.elkaudio ) making it possible to sing together without latency!Continue reading “Testing a new method – Imprint”
Today was the first time with IRL folk song lab since February. Such a nice feeling to hear voices sound in a real acoustic and not be hindered by the internet latency. A new method was tested – Imprint – more info to come on this new idea!
In todays session, we started a new era in the project, by setting a goal to record videos in Folk Song Lab IVL – in virtual reality. Question arises – How to deal with latency? Is latency even to be considered a friend? Until next week a ‘shadow-singing’ video will be created! Here is howContinue reading “Folk Song Lab IVL”
‘Cognitive strategies in rhyming in new ballads – an improvisatory approach’ was the title of a presentation of Folk Song Lab hold at the conference ‘Rhyme and Rhyming in Verbal Art and Song’. The main focus in the presentation was to illuminate the different methods used for improvising end-rhyme in ballads and how they worked:Continue reading “Rhyme and Rhyming”
This day Folk Song Lab did both a short presentation and invited to an experiment. Letting the the visitors and participants try out “mirror-singing” by mimicking phrases in the moment. The deeply concentrated participants said it was both hard and fun. Looking forward to analyze the recorded data collected! KMH X-day is a meeting pointContinue reading “Mirror-singing experiment at KMH X-day”
Using different input and inspiration is vital to the sessions of folk song lab. Today we experimented with using ‘waulking songs’ as inspiration for singing. ‘Waulking songs’ is narrative singing while waulking the fabric e.g. tweed on the Hebrides. We use input from traditional singing as in this wonderful video.
A lot of experimenting with improvising lyrics is done in the folk song lab sessions. We try to use the formulas inherited in the ballad form, such as rhyme, repetition and certain expressions etc. This session we did use two methods for improvising: end-rhymes and ‘crochet/braid /chain-singing’ meaning that we repeat the subject / word/Continue reading “Improvised rhyming in a ballad”